****
Saturday, May 30, 2009
V.A. - The Cavern. The Most Famous Club In The World (2007)
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Message - The Dawn Anew Is Coming (1971)
- Allan Freeman / synthesizers, vocals
******
1. Changes (3:35) 2. The Dawn A New Is Coming (8:35) 3. Evil Faith and Charity (3:55) 4. Heaven Knows (9:42) 5. When I'm Home (7:40)
Halllellujah - Halllellujah Babe! (1970)
The Merseymen & The Phantoms (2 in 1)
Bob Paris (Lead Guitar)
Mike Leyton (Vocals)
Jim Newton (Bass Guitar)
Dave Moan (Rhythm Guitar)
Jett Rink (Drums)
The Merseymen had the credentials to play the beat music required, as three of its members all hailed from England. Mike Leyton (real name Mike Puddyfoot) and Dave Moan were both from London, and drummer Jett Rink had also only recently arrived in the country. Jett Rink's real name was John Tait and later on he was to use the name Dylan Tait, when he became a television reporter.
Bob Paris had been around the Auckland music scene for several years. His Bob Paris Combo had been the resident band at the Jive Centre in 1958. Jim Newton was originally from Wellington, but had left the group before the end of 1964. He was replaced by Ian McIntyre.
Not long after commencing their residency at the Beatle Inn, they were signed to Zodiac and quickly released an album called "A Visit To The Beatle Inn". .. MORE...
******
BOB GARDE gtr A B
DAVE LINCOLN gtr A B
PETE WATSON bs A B
MIKE BRADY gtr
ALBUM:
1( ) TWO SIDES OF THE PHANTOMS (W&G B 1864) 1964 R3
NB: There's also been a retrospective compilation, The Legendary W&G
Sessions (Canetoad CTLP 016) 1990.
EP:
1( ) INSTRUMENTAL HITS (W&G Q 1615) 1963
45s:
(1963 onwards)
1 The Two Forty-Two/The Rumble (W&G S 1596) 1963
2 Round And Round/Hava Nagila (W&G S 1878) 1964
3 I Want You/Move It (W&G S 1930) 1964
4 My Babe/The Cruel Sea (W&G S 1969) 1964
Formed in Melbourne in 1960. Most of the members were British. They started
out as an instrumental group but utilised a vocalist in the beat era.
Mike Brady joined in 1965 and they were also known briefly as The New
Phantoms whilst Roy Earnes was briefly a member in May 1965.
The Cruel Sea, The Rumble and Stampede were also included on W&G
Instrumental Story and you'll find I Want You on Australian Rock Heritage
2. 5-4-3-2-1
3. I Will Get You
4. Sweet Little 16
5. Talkin But You
6. Rock Around The Clock
7. Jambalaya
8. You Are Never Satisfied
9. I Am A Hog For You Baby
10. Rit It Up
11. Heart Beat
12. Roll Over Beethoven
13. Somebody Told My Gal
14. Memphis Tenessee
15. Round And Round
16. Move It
17. I Want You
18. Perfidia
19. Mule Skinner Blues
20. Good Golly Miss Molly
21. The Cruel Sea
22. Hava Nagila
23. Tough Enough
24. Needles And Pins
25. Stranger On The Shore
26. Lessons In Love
27. Long Tall Texan
28. The Frightend City
*****
The Milkshakes - 32 Rhythm & Beat Greats (Best Of)
02 bretty baby
03 pipeline
04 last night
05 little girl
06 cadillac
07 love can lose
08 general belgrano
09 late at night
10 don't love another
11 the klansmen kometh
12 thunderbird
13 found my girl
14 comanche
15 the yorkshire ripper
16 seven days
17 i want you
18 jezebel
19 little bettina
20 ida honey
21 dull knife
22 i wanna be your man
23 you did her wrong
24 brand new cadillac
25 i can tell
26 that's my revenge
27 i want you
28 shimmy shake
29 soldier of love
30 el salvador
31 tell me where's that girl
32 hide and scatter
Friday, May 29, 2009
The Cryan' Shames - Sugar & Spice (1966)

The Valentines - Peculiar Hole In The Sky (1968) Australia
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The Valentines were an Australian rock 'n' roll band active from 1966-1970, chiefly noted for their lead singers, Bon Scott, who later went on to great success as lead vocalist with AC/DC, and Vince Lovegrove, who subsequently became a successful music journalist and manager of Divinyls.The band was formed in late 1966 with the amalgamation of Perth groups The Spektors and The Winstons. They capitalised on the success of both the former bands, plus the interest created by having two lead singers in Scott and Lovegrove. Inspired by The Rolling Stones, The Beatls, and local stars The Easybeats, they enjoyed considerable local success and released a few singles. MORE :
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01. Peculiar Hole In The Sky [0:02:48.49]02. Love Makes Sweet Music [0:02:19.06]03. To Know You Is To Love You [0:03:02.53]04. I Can't Dance With You [0:02:57.30]05. Sookie Sookie [0:02:19.63]06. Every Day I Have To Cry [0:02:32.72]07. She Said [0:02:50.09]08. I Can Hear The Raindrops [0:01:51.39]09. Why Me? [0:01:48.54]
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LINK
Thursday, May 28, 2009
The Phantoms - The Phantoms (Netherlands)
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Bonus 45'13 After Tomorrow14 This Hammer15 I'll Go Crazy16 I Dream Of You17 Cool Girls18 Little Ways19 Jack The Ripper20 Little Miss Love
Thanks Jancy!
Tuesday, May 26, 2009
V.A. - Lost songs: Songs The Beatles Wrote But Never Recorded

GUS GENSERE - Drums, Backing vocal
JAN VAN DE MEI - Lead vocals, Guitar
JOHN HAYES - Guitar
TRUCE MICHELL - Backing vocals
Rory Campbell - Organ
NICOLE DA LUZ - Accordion
JEFF HOLLIE - Saxophone
MICKY LLUELLYN - Slide Guitar
SIEMEN TERPSTRA - Sitar
Vitamin's Lost Songs: Songs the Beatles Wrote but Never Recorded is a great idea for a disc.Lennon and McCartney recorded their best songs, but they did give away some good Merseybeat stuff at the height of Beatlemania, including "Bad to Me" and "World Without Love." Collecting these songs, along with other lesser-known Beatle original tunes of the era, is a fantastic idea. Too bad Lost Songs is filled with tepid contemporary rerecordings of the songs, thereby negating any worth it may have had...unless you're a Beatles fanatic looking for a new version of these little-heard songs. - by Stephen Thomas Erlewine ***** 1. I'll Keep You Satisfied 2. Bad To Me 3. Tip Of My Tongue 4. Cat Call 5. Nobody I Know 6. That Means A Lot 7. From A Window 8. World Without Love 9. I'm In Love 10. It's For You 11. I Don't Want To See You Again 12. One And One is Two ****** |
The Smithereens - B-Sides The Beatles

Of course, the Smithereens essentially started out as a working band. ... Read More...
Monday, May 25, 2009
Fanny - Charity Ball (1971)


June Millington (vocals, guitar)
Nickey Barclay (vocals, keyboards)
Jean Millington (vocals, bass)
Alice de Buhr (vocals, drums)
Upon signing hard rock combo Fanny in 1970, Warner Bros. claimed their new acquisition was the first all-female rock & roll band — a statement far from the truth, of course, but as one of the first self-contained distaff groups to land on a major label, they were an important harbinger of things to come. Fanny formed in California under the name Wild Honey, teaming singer/guitarist June Millington, her bassist sister Jean, keyboardist Nickey Barclay, and drummer Alice de Buhr. With Wild Honey signing to Reprise, the new name Fanny was suggested to producer Richard Perry by no less than ex-Beatle George Harrison... Read More...
******
1. Charity Ball
2. What Kind of Lover
3. Cat Fever
4. A Person Like You
5. Special Care
6. What's Wrong With Me
7. Soul Child
8. You're the One
9. Thinking of You
10. Place in the Country
11. A Little While Later
12. No Deposit, No Return (previously unreleased)
13. Charity Ball (reprise single 1963)
14. True Blue (from the kitchen tapes)
15. Candlelighter Man (from the kitchen tapes)
16. Summer Song (from the kitchen tapes)
******
Review by Joe ViglioneWith guitar and piano riffs buoyed by a pulsing bassline, the "Charity Ball" title track opens this second Reprise disc for the Millington sisters June and Jean, along with their bandmates, keyboard/vocalist Nickey Barclay and drummer Alice de Buhr. Produced by Richard Perry, who would hit later with the Pointer Sister's "I'm So Excited" and Carly Simon's "You're So Vain," Perry helped these pioneers put their artistry on vinyl when all girl musicians in a group were not the norm, and he, no doubt, got ideas here which resulted in hit recordings soon after. Perry had dated Ten Wheel Drive's Genya Ravan who had chart success in England with her all-girl band Goldie & the Gingerbreads, so he was one of the few guys privy to a wonderful conspiracy of women to break that glass ceiling of male rock & roll domination. Jean Millington, with an acoustic, reverb-soaked "What's Wrong With Me," is one flavor that this band of many talents has to offer. Just listen to Nickey Barclay's "A Little While Later" or June Millington's "Thinking of You," these songs are perfect in both construction and execution; in fact, the only deficiency is that Perry's production is not as lush and commercial as what he put on Ringo's "Photograph" — it's very bare, but that doesn't deny the wonderful hooks which conclude the album on "A Little While Later"'s fade where the gals absolutely rock out with passion. The album jacket is innovative as well, a proper invitation to you, the listener, from Fanny, placed atop hat and gloves, next to a stunning portrait of the group. There's only one cover on this 11 track collection, Stephen Stills' "Special Care," with keyboards that come straight from the Band's "Chest Fever." "What Kind of Lover" and "Cat Fever," two of Nickey Barclay's six contributions to the session, simply cry out for more frosting from producer Perry. Play this album next to a Jack Richardson production of the Guess Who from the same time period, and you'll feel the difference. What Perry presented is a stark and uncluttered performance by the band, which they could've done on a live album. Still, the songwriting and performance pass the test of time with flying colors. A really great document of true rock originals making a statement in the early '70s.
The 5 Liverpools (The Liverpool Five) - Tokio International

The Liverpool Five were a rock and roll quintet that was part of the British Invasion of the 1960s. The five members of the band came to the United States by way of Japan in 1965.
Formed in England in 1963 as the Steve Laine Combo, the group comprised Steve Laine (lead vocals), Ken Cox (guitar and vocals), Dave Burgess (bass and vocals), Ron Henley (keyboards, sax and vocals) and Jimmy May (drums and vocals). Despite the name, none of the group members were from Liverpool; All were Londoners except Burgess, who hailed from Cumbria.[1]
The group played in many major cities in Europe and Asia before achieving their greatest success in the United States, especially between 1965 and 1967. In Europe they recorded one album for CBS entitled Tokio International. Read more...
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01 - 12 LP Tokio International CBS62460 Germany
Rarest Stuff
01 - Rip It Up
02 - Tokio
03 - Memphis Tennessee
04 - Skinny Minny
05 - Needles And Pins
05 - Good Golly Miss Molly
07 - Boom Boom
08 - Can I Get A Witness
09 - Let The Sunshine In
10 - Mickeys Monkey
11 - Everything's Allright
12 - Poison Ivy
13 45' stereo
13 - Tokio
14 - 18 Bonus Liverpool Five 45' RCA
14 - Everything's Allright
15 - That's What I Want
16 - If You Gotta Go Go Now
17 - Too Far Out
18 - New Direction
*****
The New Beatnix - And Now (Norway)

Graffiti - Graffiti (1968)

The Mini-Beats - Rock'n'Roll Music(2000)

A little about us: Little Philip Lawall, the son of a musician, loved to hang around in his dad's music studio. At age 3 his parents gave him a little drum set, he loved playing it and wanted to become a drummer In the following years his dad allowed him to show off his drumming "live on stage" when his dad gave a concert with his band. One night in the summer of 1996 Philip and his dad watched The Beatles movies "Help" and "A Hard Day's Night". He developed a passion for the "Beatles" and said, "Dad, I wanna be like John Lennon and wanna make a band." MORE ********** http://torrents.ru/forum/viewtopic.php?t=1696930 (Flac) 01. Twist & Shout 02. Rock'n'Roll Music 03. Happy X-Mas 04. A Hard Days Night 05. Ob La Di 06. Give Me That Rock'n'Roll 07. Mr. Postman 08. Hey Marie09. Let It Be 10.Boys 11. How Do You Do 12. It's My Live |
Skip Bifferty - The Story of Skip Bifferty (1967-1969)
Skip Bifferty are something of a lesson in musical survival, and doubly so, since most of its members had viable and even highly successful careers in music stretching more than a decade after the group's break-up. The group was an offshoot of the latter-day Chosen Few, a Newcastle band that had been working together since 1962. They'd lost their bassist and lead guitarist in 1965, and organist Mick Gallagher kept the group going, recruiting John Turnbull on guitar and Colin Gibson on bass. With the departure of Chosen Few lead singer Rod Hood, Graham Bell joined as lead vocalist, but the time had come to close down the Chosen Few. Gallagher, ... Read More...
CD2
Sunday, May 24, 2009
John Kay-Lone Steppenwolf (1987)

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John Kay released this Lone Steppenwolf album in 1987. Actually it's one of the best works of this musician.
01-Easy Evil02-Walkin' Blues03-Many A Mile04-Drift Away05-Sing With The Children06-My Sportin' Life07-You Win Again08-I'm Movin' On09-Nobody Lives Here Anymore10-Somebody
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LINK :
Saturday, May 23, 2009
The Rockin Ramrods - The Best Of The Rockin Ramrods (1963-1967)

Mp3\161Mb
*****
Biographyby Richie Unterberger
Along with the Remains, the Rockin' Ramrods were Boston's premier rock band in the mid-'60s. Unlike the Remains, they didn't gain even a modicum of exposure beyond their city, and are far more obscure even to '60s collectors. They were a decent if not significant group, sounding kind of like a Beatlized frat band, and relying largely upon original material, much of it penned by bassist Ronn Campisi. Over the course of more than half a dozen singles between 1963 and 1966, they competently tackled garage grunge, wild instrumentals, and some very pleasant hard pop/rock originals with prominent keyboards, somewhat in the manner of an Americanized early Manfred Mann. "Bright Lit Blues Skies," their best song, was a hit in the Boston area, but they achieved no other success of note before disbanding.
A strange compilation that spans several stages of the group's evolution. There are eleven songs (one previously unreleased) from their mid-'60s prime, presented in much better sound than on the Eva reissue, but six of the songs from the eight singles they recorded during this time are missing. Then there are eleven tracks (one previously unreleased) from the obscure 1968 MGM recording by Puff, a spinoff group that did not feature Ramrods leader/singer/songwriter Ronn Campisi, although, oddly, he wrote all of the material. The Puff cuts are light, sophisticated pop/rock with lots of harmonies and slight psychedelic touches; mildly interesting, it's much less hard-rocking than the other "Bosstown" groups MGM was giving a big push to in 1968. The CD finishes with three unreleased songs recorded by a 1971 incarnation of The Ramrods. A wealth of genuine Rockin' Ramrods unreleased material from their 1966-67 prime that has circulated among a few '60s/garage collectors was not tapped at all. Though less comprehensive, much harder to find, and of lower fidelity, the French import on Eva -- which includes both sides of every one of their eight early singles -- still gets the nod over this less cohesive batch.
THE AVENGERS - Medallion &The Avengers
Friday, May 22, 2009
The Doc Thomas Group - ltanian Job

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The 12 tracks (titled The Italian Job) comprise the entirety of the self-titled, Italian-only 1967 LP by the Doc Thomas Group, a band that (like the Silence) included Pete Watts and Dale Griffin.
From the very tangled tree of about a dozen '60s bands that fed into the eventual formation of Mott the Hoople, the Doc Thomas Group were one of the most important, chiefly because they actually released an album. Future Hoople guitarist Mick Ralps and bassist Pete Watts were both on board when the group recorded their sole LP (released only in Italy, where they were based for a time) in late 1966. Future Mot drummer Dale Griffin (aka Buffin) joined the band in the spring of 1967, although he doesn't appear on the album, which featured Stan Tippins as lead singer. The self-titled LP consisted entirely of R&B/soul covers, executed derivatively and just about competently, in the style of mod bands of the period such as the Small Faces. The Doc Thomas Group struggled on until 1968, changing their name to Silence with the addition of organist Terry (soon to become Verden) Allen; from that point, it was only a matter of recruiting Ian Hunter to replace Tippins to create Mott the Hoople in 1969. The extremely rare Doc Thomas Group album was reissued on CD in 1998, on a disc that also included a Silence "reunion" session recorded in 1990. ~ Richie Unterberger, All Music Guide
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1. I'll Be Doggone
2. She Was Really Saying Something
3. Steal Your Heart Away
4. My Babe
5. Please Do Something
6. Shake
7. I Got You (I Feel Good)
8. Harlem Shuffle
9. Talking About My Baby
10. Just Can't Go to Sleep
11. Barefootin'
12. Rescue Me
In the mid-60's a group of young hopefuls from Hereford were playing the "dues-paying" circuit in places like Hamburg (Germany) and in Italy where they were met with slightly more success. They went through various line-up changes and name changes, but in late 1966 the Doc Thomas Group (Stan Tippins, Mick Ralphs, Dave Tedstone, Pete Watts and Bob Hall) were booked in to a studio for a day to get their act down on tape. They recorded 20 tracks (all covers) and thought nothing more of it until early in 1967 a 12-track LP was issued (in Italy only). The album sold poorly, as did a single taken from it.Two years later, with a couple more line-up and name changes later, Silence (Stan Tippins, Mick Ralphs, Pete Watts, Terry Allen, Dale Griffin) auditioned for Guy Stevens at Island Records. Guy liked them and wanted to sign them, but insisted on one more line-up and name change: out went Stan Tippins, in came Ian Hunter, and Mott The Hoople was born...It is already another history.
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LINK :
Thursday, May 21, 2009
The Uglys - The Quiet Explosion (Complete)
Timo and The Revlons & The Novas
Timo and The Revlons
- Cheech -- keyboards
- Johnny Caoloa (Angel) -- lead guitar
- Hoot Gibson -- drums, percussion
- Tino -- vocals, bass
Apparently formed in Michigan in the early 1960s, Tino and Revlons spent several years steadily working the east cost club circuit
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1. TIMO and THE REVLONS - Luie Luie 3'42. TIMO and THE REVLONS - Wooly Booly 2'183. TIMO and THE REVLONS - This Could Be The Last Time 3'34. TIMO and THE REVLONS - Honky Tonk Angels 4'75. TIMO and THE REVLONS - Little G.T.O. 2'366. TIMO and THE REVLONS - House Of The Rising Sun 3'247. TIMO and THE REVLONS - Ask Me 2'318. TIMO and THE REVLONS - Because 2'329. TIMO and THE REVLONS - Rumble 2'1110. TIMO and THE REVLONS - I Can't Get No Satisfaction 3'4711. TIMO and THE REVLONS - One Time-Break Time 2'8
****
The Novas
This one-of-a-kind CD collects all of the mid '60s recorded tracks by Dallas' The Novas, who scored a regional hit in 1965 with their classic folk/psychedelic rock single "William Junior" b/w "And It's Time". Other tracks include "Coronado's Puzzles", "Taxman", "One Too Many Mornings", "Bus Stop", and many more (fourteen in all). A Texas garage rock classic!
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12. THE NOVAS - William Junior 2'3013. THE NOVAS - Help! 2'1714. THE NOVAS - One Too Many Mornings 2'5015. THE NOVAS - I'll Feel A Whole Lot Better 2'2116. THE NOVAS - Mr. Weatherman 3'2517. THE NOVAS - Corando's Puzzles 2'1418. THE NOVAS - Shake! 2'5119. THE NOVAS - And It's Time 2'2620. THE NOVAS - Bus Stop 2'4721. THE NOVAS - Don't Let The Sun Catch You Crying 2'3222. THE NOVAS - Let Me Take You To The Rainbow 3'1023. THE NOVAS - Taxman 2'3824. THE NOVAS - I'm A Man 2'36
*****
LINK
The Deviants - Ptooff! (1967)
by Richie Unterberger
In the late '60s, the Deviants were something like the British equivalent to the Fugs, with touches of the Mothers of Invention and the British R&B-based rock of the Yardbirds and the Pretty Things. Their roots were not so much in the British Invasion as the psychedelic underground that began to take shape in London in 1966-1967. Not much more than amateurs when they began playing, they squeezed every last ounce of skill and imagination out of their limited instrumental and compositional resources on their debut, Ptooff!, which combined savage social commentary, overheated sexual lust, psychedelic jamming, blues riffs, and pretty acoustic ballads — all in the space of seven songs. Their subsequent '60s albums had plenty of outrage, but not nearly as strong material as the debut. Lead singer Mick Farren recorded a solo album near the end of the decade, and went on to become a respected rock critic. He intermittently performed and recorded as a solo artist and with re-formed versions of the Deviants.
Talk today about Britain's psychedelic psyxties, and it's the light whimsy of Syd Barrett's Pink Floyd, the gentle introspection of the village green Kinks, Sgt. Pepper, and "My White Bicycle" which hog the headlines. People have forgotten there was an underbelly as well, a seething mass of discontent and rancor which would eventually produce the likes of Hawkwind, the Pink Fairies, and the Edgar Broughton Band. It was a damned sight more heartfelt, too, but the more some fete the lite-psych practitioners of the modern age, the further their reality will recede. Fronted by journalist/author/wild child Mick Farren, the Deviants spawned that reality. Over the years, three ex-members would become Pink Fairies; for subsequent reunions, sundry ex-Fairies would become honorary Deviants. And though only Russell Hunter is present on Ptooff!, still you can hear the groundwork being laid. The Pink Fairies might well have been the most perfect British band of the early '70s, and the Deviants were their dysfunctional parents. In truth, Ptooff! sounds nowhere near as frightening today as it was the first (or even 21st) time out; too many reissues, most of them now as scarce as the original independently released disc, have dulled its effect, and besides, the group's own subsequent albums make this one look like a puppy dog. But the deranged psilocybic rewrite of "Gloria" which opens the album, "I'm Coming Home," still sets a frightening scene, a world in which Top 40 pop itself is horribly skewed, and the sound of the Deviants grinding out their misshapen R&B classics is the last sound you will hear. Move on to "Garbage," and though the Deviants' debt to both period Zappa and Fugs is unmistakable, still there's a purity to the paranoia. Ptoof! was conceived at a time when there genuinely was a generation gap, and hippies were a legitimate target for any right-wing bully boy with a policeman's hat and a truncheon. IT and Oz, the two underground magazines which did most to support the Deviants (Farren wrote for both), were both publicly busted during the band's lifespan, and that fear permeates this disc; fear, and vicious defiance. It would be two years, and two more albums, before the Deviants finally published their manifesto in all its lusty glory — "we are the people who pervert your children" — during their eponymous third album's "People Suite." But already, the intention was there.
Downliners Sect - The Sect & The Rock Sects In (1964;1966)
Biography
by Richie Unterberger
Of all the British R&B bands to follow the Rolling Stones' footsteps, the Downliners Sect were arguably the rawest. The Sect didn't as much interpret the sound of Chess Records as attack it, with a finesse that made the Pretty Things seem positively suave in comparison. Long on crude energy and hoarse vocals, but short on originality and songwriting talent, the band never had a British hit, although they had some sizable singles in other European countries. Despite their lack of commercial success or appeal, the band managed to record three albums and various EPs and singles between 1963 and 1966, with detours into country-rock and an EP of death-rock tunes. Although they recorded afterwards, it is the Sect's early work that continues to attract connoisseurs of '60s garage and punk
******
2.: Hurt By Love
3.: One Ugly Child
4.: Lonely And Blue
5.: Our Little Rendezvous
6.: Guitar Boogie
7.: Too Much Monkey Business
8.: Sect Appeal
9.: Baby What's On Your Mind
10.: Cops And Robbers
11.: Easy Rider
12.: Bloodhound
13.: Bright Lights
14.: I Wanna Put A Tiger In Your Tank
15.: Be A Sect Maniac
16.: Hang On Sloopy
17.: Fortune Teller
18.: Hey Hey Hey Hey
19.: Everything I've Got To Give
20.: Outside
21.: I'm Hooked On You
22.: Comin' Home Baby
23.: Why Don't You Smile Now
24.: May The Bird Of Paradise Fly Up Your Nose
25.: He Was A Square
26.: I'm Looking For A Woman
27.: Rock Sect's In Again
28.: Brand New Cadillac
29.: Brand New Cadillac
Hungaria - Koncert A Marson - (1970) Hungary

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Cult Hungarian rock band, Hungaria was founded in 1967. Original line-up: Miklos Fenyo (vocals, keyboards), Peter Csomos (guitar, vocals), Miklos Matlakovszky (guitar), Laszlo Klein (bass), Peter Lang (sax), Jozsef Toth (drums).1969 saw first personnel change with Matlakovszky, Klein and Land leaving, and Tamas Barta (guitar) and Peter Sipos (bass, vocals) coming in. First two LPs both achieved gold status at the time of release and now considered vintage Hungarian classic rock albums. Barta left in 1971 to become a founding member of Locomotiv GT (->) – a Hungarian supergroup.in concert 1976Hungaria spent most of the 70s touring across the Europe (USSR, Poland, East and West Germany, Spain). Released an album worth of Beatles’ covers in 1978. 80s’ albums were all marked with rock’n’roll revival idiom.Hungaria went through many personnel changes with Fenyo remaining the only permanent member and other musicians coming and going:
Zoltan Kekes (guitar, vocals, 1972-1980), Gabor Antal Szucs (guitar, 1971, then – Skorpio ->), Laszlo Klein (bass, returned briefly in 1971), Peter Sipos (bass, 1972-1980), Gyula Fekete (sax, 1972-1985), Gabor Fekete (drums, 1971, then - Skorpio), Robert Szikora (drums, vocals, 1972-1982), Dolly (vocals, 1980-1985, then - Dolly Roll), Flipper Ocsi (vocals, 1980-1985, then - Dolly Roll, Step), Zoltan Kekes (guitar, 1980-1985, then Dolly Roll), Deddy Zsoldos (1982-85, drums, then - Dolly Roll)Band folded in 1985. Fenyo continued as solo artist, while the others formed Dolly Roll.Discography:‘Koncert a Marson’ (1970)‘Tuzveszelyes, Hungaria’ (1971)‘Beatles Laz’ (1978)‘Rock’n Roll Party’ (1980)‘Hotel Menthol’ (1981)‘Arena’ (1982)‘Finale?’(1983)‘Reg volt, igy volt’ (1985)‘Van aki forron szereti’ (1985)‘Aranyalbum’ (1985)
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01 - Koncert a Marson02 - Marvany (Csak o tud mindenrol talan)03 - Mese04 - Belvaros05 - A babonas lany06 - A regi filmek mozija07 - Hej, Rolli, Rolli08 - Szivarvany09 - Elol ul a masiniszta10 - Szegeny fuzfa11 - Es en csak eneklek12 - Vegallomas
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!