Wednesday, September 18, 2013

23 indfødte lyde - Native Sounds - Denmark Record-Labels


23 indfødte lyde - Native Sounds - 
Denmark Record-Labels


Swinging Stones - Empty Heart
Swinging Stones - Just Like A Stone
Teddy - The Way You Do
Telstars - As Tears Go By
Telstars - Come On Baby
Telstars - Hey Solo Negro
Telstars - Linin' Track
Telstars - Tell Me Why
Telstars - True Love Has Gone Forever
Telstars - Where-Where
Thunderbirds - Gooday Miss Susan
Thunderbirds - Greenback Dollar
Thunderbirds - Sy Kyssed Jeg Hende
Thunderbirds - That's The Reason
Thunderbirds - Way Up In The Sky
Thunderbirds - Wonderful Copenhagen
Tony And The Diamonds - Naggin' Woman
Tony And The Diamonds - No Reply
Torben - Blues
Torben - Jeg Klipper Mit H_r
Trendset - Don't Pass Me By
Trendset - Let The Good Times Roll
Trendset - So Sad About Us
Trendset - Why Don't We Do It On The Road

Sunday, September 15, 2013

22 indfødte lyde - Native Sounds - Denmark Record-Labels





22 indfødte lyde - Native Sounds - Denmark Record-Labels

Some Kind - Canґt Explain
Some Kind - En Skillingsvise
Space-Makers The - Mama-Papa
Space-Makers The - Please Don't Feel To Bad
Spitfires The - Hi Lili Hi Lo
Spitfires The - Oh Yeah
Spitfires The - Out Of Sight
Spitfires The - See Saw
Spitfires The - Watermelon Man
Stamping Bricks - My Poor Marie
Stamping Bridge - I'll Stay By Your Side
Stoke Sect - Glasses
Stoke Sect - Just Like Me
Stoneagers - A Little Piece Of Leather
Stoneagers - A Whole Lot More
Stoneagers - I Dont Want Nobody
Swinging Five - Dang Me
Swinging Five - Little Zula




Monday, August 19, 2013

Heimatliche klaenge The Savages Vol.144


Heimatliche Klaenge - Native Sounds

vol.144  Deutsch - Englisches Amateur-Beat-Festival
Live-Aufnahme vom 20. November 1968
Ton-Studio-Dortmund-GMBH T.D.O. 22869

Mitwirkende Amateur Beat-Bands aus Dortmund und Umgebung
Seite1
The Magic Rainbows
The Faces
The Voices
The Nice
Seite 2
The Outlaws
The Stagnation
The Emetics
The Flash

01 - Land Of 1000 Dances
02 - In The City
03 - I Can't See Nobody
04 - Pretty Woman
05 - I Will Always Stay Your Friend
06 - Wipe Out
07 - Canґt You See Me
08 - Maria
09 - Darlin'
10 - Ride Your Pony
11 - I Wish You Would
12 - Why (Am I Treated So Bad)
13 - Midnight Hour
14 - My Babe


Saturday, August 10, 2013

VA - Flanders 60S Beat Generation Vol.8





VA - Flanders 60S Beat Generation Vol.7







THE NEW INSPIRATION 2 Albums on 1 CD


The group was founded around the beginning of the 60s under the name The Black Fellows and did well in the Ghent club circuit as a dance band. Home Propagation of the band was theTF Club (later Arena Theatre ) and manager was the Ghent police sergeant Walter Hellbyck. After three years, the group changed in New Inspiration under the influence of the new manager of the group Jacques Verdonck .
The success was immediate and the debut single I Got a Feeling was a hit and one of the favorite records of Radio Caroline . Also later recordings as You Made a Fool of Me , I See No Reason Why, Mr. Moody and Happy Charly Madman were relative hits with an average sale of about 35,000 units. The group was allowed to make admissions in England and a few songs appeared on the prestigious Apple label of The Beatles. However, through many personnel changes the group falls apart around 1970. Band members have included Danny Sinclair , Daniel Prove and Gilbert Remue . Danny Sinclair decided to start a solo project.
Shortly afterwards founded manager Jacques Verdonck a "new" New Inspirations with key figures Guido Wolfaert and Eddy Vander Linden . The group recorded some new successes with songs like Rainbow I Love You and Judy Please , but once again the band has the same disease and do the many personnel changes the band fall apart 




VA - Flanders 60S Beat Generation Vol.6




Thursday, August 01, 2013

The Ventures - Super Psychedelics & $1000000 Weekend (1967)



 
Super Psychedelics

By the time Sgt. Pepper's Lonely Hearts Club Band came out, it seemed no pop act was immune to the paisley ways of the high '60s. Even Sinatra and the like were looking to stay hip with at least one or two Beatles covers. Informed by their own early surf and psychedelia sound, the Ventures' Super Psychedelics brings the West Coast instrumental style to bear on the Fab Four's "Strawberry Fields Forever" and the Turtles' "Happy Together." Without much in the way of overtly trippy sonic accents, the band especially impress with a slew of originals like "Endless Dream," "Vibrations," "Psychedelic Venture." Throughout, the Ventures' classic surf sound gets nicely augmented with the occasional sitar mimicking guitar line, some harpsichord phrases, and extra amounts of reverb and echo. Maybe not an essential Ventures release, Super Psychedelics will no doubt please kitsch-friendly fans of surf music.

 Super Psychedelics & $1000000 Weekend (1967)

One Way reissued two albums the Ventures cut in 1967, Super Psychedelics (Changing Times) and $1,000,000.00 Weekend, on a single disc in 1996. On both records, the Ventures try to keep pace with the "changing times," which means that Super Psychedelics finds the band tackling such psychedelic pop hits as "Strawberry Fields Forever," "Reflections," "Happy Together," "Western Union" and "A Little Bit Me, A Little Bit You." Some of those songs are only vaguely psychedelic, but they're more psychedelic than most of the songs the Ventures record, as are the originals and filler that are scattered throughout the record. Try as they may, the band can never really be a psychedelic band -- their Go to Space record is trippier than this -- but some may find it interesting to hear them try. $1,000,000.00 Weekend isn't as ambitious as Super Psychedelics, but it's ultimately more successful. They never quite get a groove going on "Respect" or "Uptight (Everything's Alright)," but they're professional, entertaining versions, as are the covers of "What Now My Love," "Georgy Girl," "Ode to Billie Joe," "Sunny," "To Sir, With Love," "Music to Watch Girls By," "Groovin'," "Windy," "Sealed with a Kiss" and "Yesterday." Ultimately, the album doesn't add up to much, but it will be appealing to anyone infatuated with the Ventures sound. One Way could have spent a little more time on the packaging and remastering on this set, but the end product remains worthwhile for the dedicated.


The Ventures - Mashed Potatoes and Gravy & Going to the Ventures Dance party (1962)



Mashed Potatoes and Gravy

For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully."

Going to the Ventures Dance party

This is a pleasant album, though some of it lacks the edge and focus of its direct predecessor. And, yet, Going to the Ventures' Dance Party! is notable on several levels, most especially the drumming, which, at this late date in 1962, was being provided by Mel Taylor; he's the most impressive part of this record, playing circles around the rest of the band on "Mr. Moto," "Ya Ya Wobble," and much of the rest, just throwing in these fills and rolls that weave in and out of the sound like he's in a whole different universe from the rest of the band, except that he keeps a beat like nobody's business. Even more astounding is that his virtuosity is presented as quietly and easily as it is, no mean feat on the drums. On "Venus" he is as much a part of the piece as Nokie Edwards' lead guitar, yet one never loses the melody, and similarly, on "The Intruder," he's out in front without overwhelming the group's sound or the song. On "Gandy Dancer," he almost goes a little too far with the high-hat, but holds back enough to prevent this from becoming the rock-era equivalent of some of those unfortunate, mismatched Gene Krupa showcases of the 1940s. Side two of the original LP (i.e., the last six cuts) was a killer, either as dance music or a virtuoso musical showcase, perfectly balanced even as pop music in the sweetly lyrical renditions of "Limbo Rock" and "Lolita Ya-Ya"; one sort of wishes they'd tried to pull off "Loco-Motion" without the female chorus, but the mix of an almost-breathless, soto voce female chorus and Edwards' guitar is fun and almost impossible to resist.

Monday, July 22, 2013

The Tornadoes - Bustin´ Surfboards (1963)


Not to be confused with the British studio group that gave the world the Joe Meek-produced instrumental "Telstar," or the Midwest group that recorded "Scalping Party" on Cuca, or the Kennewick, Washington combo of the same name, this group of Tornadoes burst onto the national scene with one of the very first surf instrumentals, "Bustin' Surfboards," in 1962. A family band, the Tornadoes' lineup consisted of two brothers (Gerald and Norman Sanders), their cousin Jesse Sanders, and a friend, Leonard Delaney. They started out as an instrumental group from San Bernardino, California called the Vaqueros. After adding sax man George White to the lineup, they changed their name to the Tornadoes. Their lone national chart entry was nonetheless an important one, with "Bustin' Surfboards" in 1962 making the playlists in cities that were far removed from any kind of surfing activity and signaling the beginnings of surf music as a national craze. Although using an off-brand echo unit in place of the Fender reverb unit (which hadn't been invented yet), the record had the prerequisite sound of this fledgling genre, utilizing a solid surfer's stomp drumbeat and crashing wave sound effects throughout.

More recordings followed, with a name change to the Hollywood Tornadoes for their next two singles in deference to their British namesakes, who had charted higher with "Telstar." Their fourth single, "Shootin' Beavers," was banned from radio play because of the so-called suggestive title. No more hits were forthcoming, although they did release one excellent album that stands as one of the earliest -- and best -- examples of the genre. And when Quentin Tarantino featured "Bustin' Surfboards" in his 1994 film Pulp Fiction, the bandmembers subsequently reunited -- minus saxophonist George White -- to release Bustin' Surfboards '98 three and a half decades after their original hit.





The Tornadoes' biggest hit became the title track of this, their only album, which also includes acknowledged surf classics like "Shootin' Beavers" and "The Gremmie." The inclusion of three bonus tracks (including the previously unreleased "Charge of the Tornadoes") make this a must-own for fans of the surfin' sound


The Bel Airs - Origins Of Surf Music (1960-63)




One of the very first instrumental surf combos, this Southern California group recorded one of the first big regional surf hits, "Mr. Moto." Its heavily reverbed guitar lines, distinct Mexican melodic influence, and honking sax helped set the prototype for hundreds of songs that would be recorded in the next two to three years. None of the other material the group recorded in the early '60s was as successful or memorable. Guitarist Paul Johnson was still active decades later, while guitarist Eddie Bertrand went on to form the surf band Eddie & the Showmen.

Compilation of rare sides, including early home demos featuring nothing more than two guitars, and later sessions cut at L.A.'s famed Gold Star Studios in 1963. Interesting as a document of some of the very first surf recordings, but not terribly interesting in and of itself -- "Mr. Moto" (two versions included here) towers over everything else. Comes with an extensively annotated booklet by founding member Paul Johnson.



The Atlantics - The Explosive Sound of The Atlantics (1964)


The Atlantics were Australia's answer to the Shadows and the ubiquitous surf sound widespread in the early sixties. They were, not withstanding, very accomplished musicians which set them apart from other bands of the ilk and held their own in comparison.

Becoming popular along the Northern beaches of Sydney they were signed to CBS and scored a hit with Bombora, the name of a surfing team, which propelled them to national prominence. Remaining as an instrumental group throughout the next two years, and releasing numerous 45s and albums, their popularity waned as the 'beat' invasion sound began to take over. They started to play with many differing styles and record with solo artists to arrest their slide, probably the most interesting effort was their 45, a throbbing punk classic, Come On/You Tell Me Why which featured Johnny Rebb on vocals. As well they recorded an EP at this time I Put A Spell On You, having left CBS for Sunshine. It is an interesting attempt at a psychedelic sound, something that only a few well known Australian bands experimented with at that particular time. Along with the 45 Come On and the EP they are two of the most sought-after recordings by collectors of sixties punk.

In later years the band formed the Ramrod label and studio, concentrating more on songwriting and production, they produced some country-tinged 45s while returning to their roots in the early seventies with an album of previous surf sound hits and some new compositions before calling it a day. There are many compilations available through CBS and Cane Toad which chart their history and are well worth seeking out.

As one would expect some of their songs have been captured on retrospective compilations. You'll find Bombora on Aussie Rock Collection and Nat Young's History Of Australian Surfing, The Boys features on Australian Rock And Roll Stars; The Crusher is also on Aussie Rock Collection and Come On and It's A Hard Life figure on Vol. 1 and Vol. 2 of Ugly Things respectively. Finally, Light Shades Of Dark, Part 2 appears on Datura Dreamtime.

Of their retrospective compilations CBS Singles Collection 1963-65 is probably the best. It came with excellent liner notes (courtesy of Steve McParland), good clear sound quality and some superb photos. The Teddy Bears Picnic Stomp was a compilation of cuts from their first three albums and includes a previously unreleased version of War Of The Worlds, the released version of which appeared on The Explosive Sounds Of The Atlantics and The Atlantics Greatest Hits.

(Vernon Joynson / Michael Wilczek)



This is a bit cornball compared to their best stuff -- a few of the numbers are surfizations of standards like "Secret Love," and though most of the material is original, the frequent allusions to folk melodies sometimes make this sound like the kind of surf band you'd find playing in a Greek restaurant. There's plenty of nifty guitar work, though, and only a couple of cuts are on The CBS Singles Collection, making this a nifty supplement to that compilation. The original Australian LP is far harder to find than the German CD reissue, which adds some bonus cuts.


The Atlantics - Bombora (1963)





One of the greatest instrumental surf groups did not even hail from America. The Atlantics, despite their name, were an Australian combo who not only emulated the sound of California surf music, but ranked among its very best practitioners. Featuring a reverb-heavy, extremely "wet" sound, the Atlantics attacked original material, standards, and movie themes with a nervy blend of precision and over-the-top intensity. As in Dick Dale's music, touches of Middle Eastern influences can be detected in the rhythms of melodies (some members of the group claimed Greek and Egyptian heritage). Their second single, "Bombora," went to the top of the Australian charts in 1963, and the follow-up, "The Crusher," was also a big hit. But Beatlemania spelled commercial death for the Atlantics, as it did for U.S. surf combos, in 1964 and 1965. After several albums and a few more equally fine instrumental singles, the Atlantics became a vocal group in the last half of the '60s, but are most renowned for their instrumental recordings.

The Atlantics were an Australian surf rock band in the early 1960s and arguably Australia's most successful of the genre. Most well-known for their classic hit, "Bombora", their later recordings such as "Come On" are examples of 1960s garage rock. They were the first Australian rock band to write their own hits. In 2000 the group reformed with three of the original members, and they are still actively releasing new material and performing live.

History Early years
Formed in the southern beachside suburbs of Sydney, Australia in early 1961, the group began performing locally, and soon gained an enthusiastic following. Contrary to the accepted surfing connotations of their name they actually took their name from a local brand of petrol, Atlantic. In early 1962 they appeared on a local television show New Faces, where they were voted "Most Promising Group of 1962." They signed a deal with booking agent Joan King, who convinced the members to quit their day jobs and produce a demo, which she shopped to a variety of record labels. After several rejections, they were signed to CBS Records in 1963. The A&R representative for CBS, Sven Libaek, was especially impressed by the group's original compositions. Most Australian instrumental rock bands at the time merely aped and covered material from The Shadows or, to a lesser extent, The Ventures. The Atlantics had the advantage of having twin lead guitarists, both highly proficient on solo work and both capable of pushing the band along with a driving rythmn. It was this, together with the band members European cultural influences (largely Greek with some Yugoslav and Hungarian - all members came to Australia as child migrants) that gave their music that passionate edge over other local bands of their day.

In February 1963, CBS released the first single, "Moon Man" b/w "Dark Eyes". "Moon Man" was an original song written by Peter Hood, and "Dark Eyes" was a traditional tune reinterpreted by the band. While the single was not a hit, it did gain enough attention for CBS to agree to continue to support the group.
Read more on:

Classic lineup 1962-1970
Peter Hood - Drums -1961 to present
Theo Penglis - Lead & Rhythm guitar, later Keyboards 1961-1970
Bosco Bosanac - Bass - 1961 to present
Jim Skiathitis - Lead & Rhythm guitar 1962 - present

Other members
Johnny Rebb - Lead Vocals - 1965-1970
Eddie Matzenik - Guitar - 1961-1962
Brian Burns - Guitar 1985
Martin Cilia - Guitar- 1999 to present (new member, replaced Theo Penglis in current group)

Tracklist:
01. Bombora
02. Adventures in Paradise
03. The Gremlin King
04. Dark Eyes
05. Glassy Walls
06. Turista
07. Surfer's Paradise
08. Bluebottles
09. The World Is Waiting for the Sunrise
10. Free Fall
11. Greensleeves


This is the best Instrumental Surf Rock you can get,
 if are tierd of all shadows and ventures records !!

The Original Surfaris - Bombora


Originally slated to be released in 1963, this album was withdrawn due to litigation over the use of The Surfaris name, and retrieved from the vaults in the mid-'90s. A fair but unexceptional instrumental surf collection; the best cuts (most notably the title track) have appeared on compilations.

Bombora

Those of us who've hanged 10 in our dreams know "Wipeout" by the Surfaris. These, however, are the Original Surfaris, some kids from the Fullerton area of Orange County who arrived at their name not via the Beach Boys' "Surfin' Safari," but via the Safaris' doo-wop hit "Image of a Girl." Such romantic notions can't deter drummer Mike Biondi from unleashing a maniacal drum solo that squeezes as many rim shots into 12 bars as the other Surfaris' Ron Wilson unloads in an entire chorus. Wild and woolly though the Original Surfaris may be (Larry Weed's ripping leads are precise and deadly) they also know their way around a ballad; "Surf Angel" is as wonderfully mushy as anything by Rosie & the Originals. --Jud Cost

Quite possibly the greatest surf album you've never heard, this 1963 session was only the stuff of legend until purloined by Sundazed. Screaming guitars, screaming sax, & screaming groupies vie for the stereo microphones in this Tony Hilder production that'll become the prize of your surf collection should you buy it, which you most certainly should, indeed. We ain't lyin'. Sundazed. 1995.




BOMBORA! was recorded and scheduled for release in 1963, but was unissued due to legal problems. This is the album's first release. Quite possibly the greatest surf album you've never heard, this 1963 session was only the stuff of legend until purloined by Sundazed. Screaming guitars, screaming sax, & screaming groupies vie for the stereo microphones in this Tony Hilder production that'll become the prize of your surf collection should you buy it, which you most certainly should, indeed. We ain't lyin'. Sundazed. 1995. Includes liner notes by Robert J. Dalley. This is part of Sundazed records' Yesterdazed Series. Personnel: Larry Weed (guitar); Doug Weisman (saxophone); Al Valdez (piano); Mike Biondi (drums). Liner Note Author: Robert J. Dalley. The Original Surfaris: Larry Weed, Chuck Vehle (guitar), Doug Wiseman (saxophone), Al Valdez (piano), Jim Tran (bass), Mike Biondi (drums). Compilation producer: Bob Irwin. Dirty Linen (4-5/96, p.55) - "...a great `lost' album that ended up being shelved in a vault in 1963. You'll hear `driving, twin-guitar, tuff-sax wallop' as you cruise through the ultimate surf soundtracks..."




The Surfaris - Gone With The Wave & Surfers Rule


Thursday, July 18, 2013

Heimatliche klaenge The Savages Vol.143



The Savages sind fьnf junge Musiker aus Zьrich, wobei sie aber gar nicht so wild sind, wie ihr Name
vermuten lдsst, denn sie wehren sich energisch als Beatband deklariert zu werden. Damit Sie die
Savages etwas nдher kennenlernen, zeichnen wir Ihnen mit folgenden Zeilen die Laufbahn der 
"Wilden" kurz auf.
Bekannt wurden sie durch Auftritte in Jugendhдusern, Gala-Abende und am BLICK-Festival. Nach
diesen Erfolgen machten Sie schnell Karriere und es folgten Auftritte mit Bernd Spier und Tony 
Sheridan im Road Shark Club, eine Live-Show mit Drafi Deutscher, ferner gingen sie mit der Sдngerin
Liane und Jo Roland auf Tournee. Das Schweizer Fernsehen stellte die Savages in der Sendung 
Rendez-Vous vor und Albert Werner vom Radio Basel interviewte sie in der Teenagersendung "Sali
mitenand."
Eine Filmgesellschaft holte die Savages nach Frankfurt vor die Kameras um einen Werbefilm fьr ein
deutsches Auto zu drehen. Dieser Spot wurde in Amerika, Finnland, Italien sowie bei uns gezeigt, 
wobei er besonders im Sьden Anklang fand. Ausschnitte von der Musik, die der bekannte Jazz-
Saxophonist Bruno Spoerri eigens fьr sie schrieb, werden heute noch fьr neue Auto-Spots verwendet.
Seit einem Jahr sind sie nun Profis. Sie lernten in dieser Zeit viel dazu und haben sich mit ihrem 
gepflegten Auftreten zur beliebten Dancing-Band emporgespielt. Was die Savages anstreben, ist eine
gute Formation zu sein, die Hits von gestern und heute spielt, um so fьr das Publikum einen 
beschwingten und abwechslungsreichen Abend zu gestalten.
Auch wenn die Titel dieser Langspielplatte nicht komerziell angelegt sind, glauben wir sagen zu 
kцnnen, dass Sie mit "Easy Dance" an jeder Tanz-Party einen Trumpf ausspielen werden.

The Savages - Easy Dance With (Layola L30-318 swiss)
01 - Mefie Toi
02 - Bastic
03 - Christine
04 - Main Theme
05 - The Lute Number
06 - Hava Nagila
07 - Listen To My Heard
08 - Early Bird
09 - Archimede
10 - T'en Vas Pas
11 - Partisan
12 - Drum Stomp
13 - Johsin
14 - Dark Eyes
15 - Hully Bach
16 - Swiss Mountains Waltz
17 - Candy Dancer

18 - Rolling Cadets (flexidisk)



21 indfødte lyde - Native Sounds - Denmark Record-Labels


 indfødte lyde - Native Sounds - Denmark Record-Labels
vol. 21


Ole & The Others - Marley Purt Drive
Ole & The Others - What Have They Done To The Rain
Ole Erling Gruppen featuring Peter Lau - Lunik
Ole Erling Gruppen & Sussi Holm - Sunny
Pede Brothers - Baby Dance For Me
Pede Brothers - Jeg Tror Endnu
Pede Brothers - Oh Darling
Pede Brothers - Rжk Mig Dine Hжnder Susanne
Pede Brothers - Walking Down
Pede Brothers - What Can I Do
Rangers - Еh, Susanne
Rangers - Kicks
Rangers - Sе Sе Sе Sе
Rangers - There She Goes
Raws - When I Walked
Red Mustangs - Shake
Red Mustangs - Stagger Lee
Red Mustangs - Tonight
Red Mustangs - Who Greets Who
Rune Christy & The Christies - Hello
Sharons - Everything's Alright
Sharons - What To Do
Silverbeats - If You Tell Me
Silverbeats - Please Come Back
Snakes - Don't Ever Leave Me
Snakes - Hello Josephine