Mp3 256\79 Mb*******************
William Briggs
Rudolph Damiani
Vern Miller Jr.
Barry Tashian
Rudolph Damiani
Vern Miller Jr.
Barry Tashian
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If you're gonna buy a remains cd, make this one it, the band even says, this album captured their live sound to the best degree possible without it actually being a live show. recorded at 10 am after a night playing live in boston, the boys were still pretty cranked up, and rip through the set with a punk rock roar that sounds ridiculously ahead of its time when considering these guys opened for the beatles! i've never really liked hang on sloopy by the mccoys, but barry and co give it a hellraising treatment that'll have you hitting your head on the ceiling with all out insainity... then you get all day and all of the night... a classic run through, but then a great original "why do i cry" which rocks really hard... "johnny b. goode" is the finest version i've heard this side of the original, and "i'm a man" may be the best song on here... 5 minutes of utter punk rock wham bam thank you mam... utterly insane... i can't believe these guys never made it out of boston! what a shame.
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1. Hang On Sloppy
2. All Day And All Of The Night
3. Why Do I Cry
4. Like A Rolling Stone
5. Johnny B. Goode
6. Gonna Move
7. I'm A Man
8. Walking' The Dog
9. Ain't That Her
10. When I Want To Know
11. Why Do I Cry
12. Say You're Sorry
13. All Good Things
This disc really gives a vivid, unfaded snapshot of a '60s band at the top of its game, playing as if their lives depended on it even though they were wiped out from the night before. With all the covers mixed in with the originals, it also gives a solid sense of what their nightclub playlists were like. If you love historical context as much you love as great rock'n'roll, you really do get the best of both worlds here
Most of the tracks are covers, including The McCoys' "Hang On Sloopy" (one can only wonder what The McCoys did with this live), The Kinks' "All Day And All of The Night" (with Tashian adding a leering "baaaby" on to the end of several lines, not to mention his own version of Dave Davies' frantic guitar solo), Dylan's "Like a Rolling Stone", Chuck Berry's "Johnny B. Goode", Bo Diddley's "I'm a Man", Rufus Thomas' "Walkin the Dog", plus several of Barry Tashian's originals, including two versions of "Why Do I Cry", "Ain't That Her" (with amazing live harmonies) and "Why Do I Cry".
The chatter in between tracks displays an incredible looseness in the band. Considering this was an audition, and they were really hoping to get off Epic, you'd think they'd be a bit more nervous. Also, considering they were in the middle of a club run, playing gigs that lasted until 3 or 4am, and were in the studio at 10 or 11am to record this set, they sound really fresh.
The chatter in between tracks displays an incredible looseness in the band. Considering this was an audition, and they were really hoping to get off Epic, you'd think they'd be a bit more nervous. Also, considering they were in the middle of a club run, playing gigs that lasted until 3 or 4am, and were in the studio at 10 or 11am to record this set, they sound really fresh.
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