Monday, September 07, 2015

Five Man Electrical Band - Absolutely Right :The Best of Five Man Electrical Band - (1970-1973)

Five Man Electrical Band Also known as : ex-The Staccatos 

Current line-up
Les Emmerson : Vocals, Guitar   
Rick Smithers : Bass   
Michael Belanger : Vocals, Drums     session musician
Steve Hollingworth : Vocals, Drums   
Brian Sim : Guitar     session musician
Ted Gerow : Keyboard        
Rick Belanger : Drums
Brian Rading : Bass
Vern Craig : Guitar

Initially (LP - 1966)              
A Wild Pair (Split - 1967)              
Five Man Electrical Band (LP - 1969)    mp3         
Good-byes And Butterflies (LP - 1970)              
Coming Of Age (LP - 1972)              
Sweet Paradise (LP - 1973)              
The Power Of The Five Man Electrical Band (Compilation - 1975)              
Absolutely Right: The Best Of Five Man Electrical Band (Compilation - 1995)

Best-known for their 1971 anti-establishment hit "Signs," Ottawa, Canada's Five Man Electrical Band featured guitarist/vocalist Les Emmerson, bassist Brian Rading, keyboardist Ted Gerow, and drummers Rick "Bell" Belanger and Mike "Bell" Belanger. Originally known as the Staccatos, the group formed in the mid-'60s and earned their first big break with the 1967 hit "Half Past Midnight"; their first attempt at stateside success came that year when they recorded A Wild Pair with the Guess Who. The album sold well and "Half Past Midnight" was released as a single in the U.S., but the group was dismissed as sounding too much like the Beach Boys. the Staccatos released their second album, Five Man Electrical Band, in 1968, and renamed themselves after it the following year. They continued to record for Capitol Records, traveling to L.A. to record singles such as "It Never Rains on Maple Lane." After switching to MGM and relocating permanently to L.A., the group released several other singles that received very little chart action. One of those singles, "Hello Melinda Goodbye," featured "Signs" as its B-side, which was inspired by the proliferation of billboards on America's freeways; though it garnered some airplay in L.A., it failed to do much when it was reissued on its own. By 1971, the group was close to splitting when their new label, Jimmy Webb and Dallas Smith's Lion Records, reissued "Signs" as a teaser for the Five Man Electrical Band's full-length debut, Goodbyes & Butterflies. This time, "Signs" reached number three in the U.S., number four in Canada, and sold more than two million copies internationally. The follow-up single, "Absolutely Right," also did well, reaching number three in Canada and the Top 20 in the U.S. However, their later albums didn't receive much attention, and in 1973 after so many ups and downs, the original Five Man Electrical Band finally packed it in; Emmerson recorded using the group's name for another two years. Subsequently, he tried his hand at running a label, Perfect Records, played with the Cooper Brothers, and began a solo career upon his return to Ottawa. The original lineup re-formed in 1986 for a benefit concert and for occasional tours of eastern Canada. Emmerson bought the rights to the group's material and released the best-of, Absolutely Right, in 1996.

Five Man Electrical Band, one of the more creative Canadian groups of the early '70s, edged toward the American "big-time" without ever really receiving its due. Springing from the accomplished harmonies of all five bandmembers and leader Les Emerson's socially-attuned penmanship, the band was equally at home firing off catchy pop hits ("Signs," "Absolutely Right") as it was with more ambitious, roots-rock-grounded album material ("Coming of Age," "Country Girl Suite"). Fifteen-track collection Absolutely Right does justice to both sides, and how these merged to culminate in the environmental polemic sweep of "I'm a Stranger Here" and decidedly odd chart-fodder "Werewolf."


  1. Top! Thank you very much.

  2. You taught me something. I didn't realize Five Man were The Stacattos. Thanks! I love Werewolf, which I had on an old K-Tel album as a kid!

  3. Thanks for this one. I haven't heard this stuff in years.

  4. Could you, please, re-up? Thank you!



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