Wednesday, October 06, 2010

Sagittarius - Present Tense(1967)






Though really a studio project instead of a real group, Sagittarius' Present Tense has been whispered about constantly since its release in 1968. It began as a solo outlet for producer Gary Usher when he wasn't making stunning LPs by the Byrds, Simon & Garfunkel, ex-Byrds leader Gene Clark, and the Beach Boys. In fact, its totally enthralling song, the initial 1967 single, "My World Fell Down" -- which went to number 70 in the charts -- is largely sought after by the most fanatical of Pet Sounds-era Beach Boys followers, since it not only replicates that unique and incomparable production value, but benefits greatly from a lead vocal by Glen Campbell. Not his "Rhinestone Cowboy" voice, it's the more angelic, boyish Mike Love tones he employed when then touring and recording with the Beach Boys. As well, real Beach Boy Bruce Johnston sings a key part, as does fellow producer Terry Melcher (and vaunted session man Hal Blaine sits in). Mixing "Good Vibrations" with "God Only Knows," "My World Fell Down" is a missing link to pre-breakdown Brian Wilson's obsessions, particularly the bonus-track single version, which blends in pre-psychedelia sounds of a bullfight, an alarm clock, and a crying infant. Subsequent recordings found Usher teaming with singer/writer/producer Curt Boettcher, whom Usher met while working with Wilson, and some use songs from the latter's singing group Ballroom and players from Boettcher's new, real band Millennium. None of this now-deceased pair's work can match "My World Fell Down," but Present Tense serves up a gentle brew of folkish-rock, Baroque pop (lots of woodwinds, strings, etc.), and Summer of Love atmosphere.

Sagittarius - Present Tense(1967)


(Japanese Remaster with Bonus Tracks, DSD)


http://rutracker.org/

APE - http://rutracker.org/forum/viewtopic.php?t=1283594

1. Sagittarius - Another Time (2:40)


2. Sagittarius - Song To The Magic Frog (Will You Ever Know) (2:48)

3. Sagittarius - You Know I've Found A Way (2:01)

4. Sagittarius - The Keeper Of The Games (1:53)

5. Sagittarius - Glass (2:26)

6. Sagittarius - Would You Like To Go (2:36)

7. Sagittarius - My World Fell Down (2:54)

8. Sagittarius - Hotel Indiscreet (2:12)

9. Sagittarius - I'm Not Living Here (2:27)

10. Sagittarius - Musty Dusty (3:12)

11. Sagittarius - The Truth Is Not Real (2:49)

12. Sagittarius - My World Fell Down (Mono Single Version) (3:47)

13. Sagittarius - Hotel Indiscreet (Mono Single Version) (2:21)

14. Sagittarius - Another Time (Mono Single Version) (2:42)

15. Sagittarius - You Know I've Found A Way (Mono Single Version) (2:02)

16. Sagittarius - The Truth Is Not Real (Mono Single Version) (3:01)

17. Sagittarius - I'm Not Living Here (Mono Single Version) (2:22)

18. Sagittarius - The Keeper Of The Games (Mono Single Version) (1:47)

19. Sagittarius - Virgo (2:24)

20. Sagittarius - Libra (4:04)

21. Sagittarius - Pisces (2:53)

Tuesday, October 05, 2010

Sagittarius - Blue Marble 1969 (bonus)


Although it only reached number 70 in the national charts, Sagittarius' 1967 single "My World Fell Down" is one of the great experimental psychedelic pop gems of the era. Sounding very much like a lost Beach Boys classic from the "Good Vibrations"/SMiLE era, the record had beautiful California pop harmonies, exquisite symphonic orchestration, and a downright avant-garde middle section of carnival and bullfight noises. It was perhaps too weird to become the Top 40 smash it deserved to be, but in any case, Sagittarius would have had a difficult time launching a successful career, as the group didn't really exist. It was a studio project of noted producer Gary Usher, who wrote several great Beach Boys songs with Brian Wilson and produced classic albums by the Byrds.

Usher made the recordings that came out under the Sagittarius name in his spare time, with help from such prominent friends as Beach Boy Bruce Johnston and Glen Campbell (who sings lead on the "My World Fell Down" single). The most important of Usher's associates, however, was fellow songwriter/producer/singer Curt Boettcher, who has a cult following of his own for the sunshiny California pop with a touch of psychedelia that he produced during the era, especially as part of the Millennium. Boettcher wrote and sang much of the material that ended up on Sagittarius' 1968 Columbia album, Present Tense. Unlike the "My World Fell Down" single (included on the LP in a brutally edited version), the album wasn't reminiscent of the Beach Boys at their best and most progressive. It was California good-time pop with a mild dab of psychedelia, relentlessly and sometimes annoyingly cheerful, although immaculately crafted and produced, particularly in the layered harmony vocals. Not as commercial as the Association (with whom Boettcher also worked), it still had a lot more in common with the Turtles and the Mamas & the Papas than Pet Sounds or the Byrds. Although it only sold in the neighborhood of 40,000 to 50,000 copies, the record has a cult following, and has been reissued on CD with numerous bonus track

1. In My Room

2. From You Unto Us

3. Will You Ever See Me

4. Gladys

5. I Sing My Song

6. The Blue Marble

7. Lend Me a Smile

8. I Still Can See Your Face

9. I See in You

10. Cloud Talk

11. I Guess the Lord Must Be in New York City (mono)

12. I Still Can See Your Face (mono)

13. In My Room (mono)

14. Navajo Girl (mono)



The shimmering follow-up to Present Tense, 1968’s pop-psych cult classic by producers Gary Usher and Curt Boettcher’s studio-only project Sagittarius (“My World Fell Down”), 1969’s The Blue Marble once again finds Usher crafting still more sunshiney, Beach Boys-esque dreamscapes. As he did for Present Tense, Usher called on the cream of L.A.’s studio pros as well as members of the like-minded Millennium, and the results are once again magnificent.

Layered with creamy vocal harmonies, brass, flute, and Moog synthesizer, The Blue Marble will have fans of the Millennium, the Association, the Yellow Balloon, and similarly grandiose baroque pop acts positively floating on air. Sourced from the original Together Records analog masters, this edition contains four bonus tracks

V.A.- The Beat Scene



These 25 tracks have been culled from a host of mid-'60s artists on the U.K.-based Decca Records label as part of their critically and enthusiastically lauded "Decca Originals" series. Each thematic entry gathers hard-to-locate tunes by a variety of lesser-known acts.

The Beat Scene (1998) concentrates on groups stylistically akin to the early- to mid- '60s British Invasion beat bands. However, unlike the Beatles, the Dave Clark Five, or any of their other internationally renowned contemporaries, many of the acts featured here had comparatively nominal, if any, success outside of Europe. In the case of the Poets — whose longing rocker "I Love Her Still" is found on this volume — they created music broad enough in scope to have covered the freakbeat and psychedelic subgenres as well. Almost by definition, one of the more obvious components of the Beat Scene is the hearty backbeat that drives the Game's "Gonna Get Me Someone," the Mockingbirds' "One by One," and Joe Cocker's seminal remake of the Fab Four's "I'll Cry Instead." The latter is a fascinating glimpse into Cocker's primordial sound, blending the essence of American rockabilly with a hint of skiffle tucked into the rhythm. Another notable name is Lulu, who takes the Luvvers through the Mick Jagger/Keith Richard composition "Surprise Surprise." Although pop music fans might remember the name Pete Best as the pre-Ringo Starr percussionist for the Beatles, he lends his name to a combo covering Eddie Hodges' "I'm Gonna Knock on Your Door," a one-off single circa 1964. Other Beat-era trademarks include compact arrangements, as displayed by the tight syncopation heard on Rick & Sandy's "Lost My Girl," the Warriors' "Don't Make Me Blue," and the Beat Chics' lively "Now I Know." A direct contrast is the Andrew Oldham Orchestra's faux Wall of Sound rendition of "Da Doo Run Run," with uncredited vocals from Mick Jagger. Parties interested in this edition should check out the other erstwhile installments: Mod Scene (1998) and Mod Scene, Vol. 2, Psychedelic Scene (1998), Rock N' Roll Scene (1998), and Blues Scene (1999).

1. The Poets / I Love Her Still (1:46)

2. The Game / Gonna Get Me Someone (2:47)

3. Thee / Each & Every Day (2:12)

4. The Mighty Avengers / (Walking Thru' The) Sleepy City (2:09)

5.  Shel Naylor / It's Gonna Happen Soon (2:01)

6.  Joe Cocker / I'll Cry Instead (1:44)

7.  Beat Boys / Third Time Lucky (1:46)

8. The Mark Four / Hurt Me If You Will (2:56)

9. Sandra Barry & The Boys / Really Gonna Shake (2:00)

10.  Lulu & The Luvvers / Surprise Surprise (2:21)

11. The Mojos / Everything's Alright (2:21)

12. The Beat Chics / Now I Know (2:16)

13. Pete Best Four / I'm Gonna Knock On Your Door (2:05)

14.  The Warriors / Don't Make Me Blue (2:06)

15. The Marauders / That's What I Want (2:21)

16. The Brooks / Once In A While (2:35)

17.  Rick & Sandy / Lost My Girl (3:06)

18. Unit 4+2 / I Was Only Playing Games (2:43)

19.  Tierneys Fugitives / Did You Want To Run Away (2:20)

20. The Mockingbirds / One By One (2:24)

21.  The Rockin' Berries / Itty Bitty Pieces (2:08)

22. The Knack / Who'll Be The Next In Line (2:00)

23. - Brian Poole & The Tremeloes / Keep On Dancing (1:58)

24. The Hi Numbers / Heart Of Stone (2:21)

. 25 The Andrew Oldham Orchestra - Da Doo Ron Ron

Gremlins - Blast Off 1965-1968 New Zealand


Taken from Faintly Blowing

Like many New Zealand and Australian bands of the mid- to late '60s, the Gremlins were heavily influenced by both British and American rock, pop, and soul music, to the point where they seemed more like versatile all-around talents than musicians who had developed a style of their own. Merseybeat, mod, light psychedelia, soul, surf, pop, and more could all be heard in the nearly two-dozen tracks they released between 1965 and 1968, as well as some specific nods to the Kinks, Bee Gees, and Troggs. Of the groups of this kind that managed to release a fair number of records, however, the Gremlins were above average, both because of their formidable vocal and instrumental skills and their ability to write most of their material (usually courtesy of singer/guitarist Glyn Tucker). However, only one of their singles — a cover of the Knickerbockers' "The Coming Generation" that was more forceful than the original — was a big hit, reaching number two in the national New Zealand charts in September 1966. All of their recordings were issued on the 2005 CD compilation The Coming Generation: The Complete Recordings 1965-68.



All 19 songs from the Gremlins' 1965-68 singles are on Coming Generation: The Complete Recordings 1965-1968, along with all four tracks from a 1966 EP. It's the work of a pleasant, very accomplished band, albeit one that, like many outfits from New Zealand and Australia, were emulating various British and American trends of the era more than they were forging a path of their own. Nonetheless, it does have a leg up on the '60s output of many other bands from their part of their world in featuring largely original material (mostly written by singer-guitarist Glyn "Conway" Tucker), rather than faithful covers of songs originating in other countries. There's effects-laden pop-psychedelia ("Blast Off 1970"), decent Merseybeat-soaked pseudo-British Invasion sounds ("I Can't Say," "But She's Gone," "It's Easy to Say"), chunky mod rock ("Never You Mind"), sullen folk-rock ("A Man's Gotta Be a Man," "Understand Our Age"), observational pop in the spirit of the mid-'60s Kinks and early Bee Gees, and even a Troggs imitation ("You Gotta Believe It"). For all that, the best song is their big 1966 New Zealand hit "The Coming Generation," a cover of an obscure Knickerbockers song that was actually an improvement on the original. Lengthy liner notes with many quotes from Tucker also help make this a definitive retrospective of this obscure (at least to non-New Zealanders) band.

Thanks F.B.

Monday, October 04, 2010

V.A. - Heimatliche Klaenge vol.37


Heimatliche Klдnge - Deutsche Schallplatten-Kleinlabels

Native Sounds - Small German Record-Labels

vol.37
german cover versions 5

01 Adriano Celentano - Heya

02 Marco Polo - Indian Reservation

03 Ricky Shayne & Die Cornehlsen Singers - Mamy Blue

04 Marion Maerz - Wer Liebe sucht

05 Michael Holm - Du weinst um mich

06 Mary Roos - so leb dein leben (my way)

07 Anne Overath - Can The Can

08 Peggy March - Hey Jude

09 Vicky Leandros - Wo ist er

10 Rex Gildo - Zufall

11 Sven Jenssen- Hцr auf zu klopfen

12 Renate Kern - Der Wassermann ( Aquarius )

13 Renate Kern - Die Antwort von den Sternen

14 Vicky Leandros - Und der Himmel ьber mir

15 Bernd P - Ein Mensch ohne Namen

16 Hajo (The Rattles) - Chirpy Chirpy, Cheep Cheep

17 Adam & Eve - Hey Neandertalman

18 Sven Jenssen - Die Mдdchen von Paris

19 Michael Holm - Trдnen lьgen nicht

20 Cindy & Bert - Der Hund von Baskerville

21 The Scorpions as The Hunters - Action

22 The Scorpions as The Hunters - Fuchs geh voran

(YES - The (Hardrock) Scorpions)

Sunday, October 03, 2010

The Searchers - It Was More Than 20 Years Ago




Recorded Live in Stockholm 1964 and 1967

1964
01 - Farmer John
02 - Money
03 - Sweets for My Sweet
04 - Ain't That Just Like Me
05 - Let the Four Winds Blow
06 - Ain't Gonna Kiss Ya
07 - Some Other Guy
08 - Alright
09 - Needles and Pins
10 - What I'd Say
May 22 1967

11 - Have You Ever Loved Somebody
12 - Take Me for What I'm Worth
13 - Love Potion No. 9
14 - Take It or Leave It
15 - I'm Ready
16 - What Have They Done to the Rain
17 - Western Union
18 - When You Walk in the Room
19 - Needles and Pins
20 - See See Rider + Jenny Take a Ride

V.A.- The British Invasion: The Sullivan Years


Probably the best of TVT's Sullivan series. Sullivan can actually take a good deal of the credit for breaking the British Invasion in the United States, featuring most of the top bands on his show in the mid-'60s. This compilation has 16 songs from 1964-1966 broadcasts by the Searchers, the Animals, Billy J. Kramer, Peter & Gordon, Gerry & the Pacemakers, Herman's Hermits, and Freddie & the Dreamers. Occasionally, it's obvious that they're singing to a backing track, but most of the performances are totally live and make for a pleasant listen, though they don't match or redefine the studio versions; the Animals come off the best. Presumably, material by the Beatles, Rolling Stones, and the Dave Clark Five -- all of whom played on the show several times -- was unavailable for licensing.VA The British Invasion - The Sullivan Years


01 - From a Window - Billy J. Kramer
02 - Bad to Me - Billy J. Kramer
03 - My Reservation's Been Confirmed - Herman's Hermits
04 - Just a Little Bit Better - Herman's Hermits
05 - Mrs. Brown You've Got a Lovely Daughter - Herman's Hermits
06 - I'm Henry the VIII, I Am - Herman's Hermits
07 - Needles and Pins - The Searchers
08 - Ferry Cross the Mersey - Gerry & The Pacemakers
09 - It's Gonna Be Alright - Gerry & The Pacemakers
10 - Don't Let the Sun Catch You Crying - Gerry & The Pacemakers
11 - I Don't Want to See You Again - Peter & Gordon
12 - I'm Telling You Now - Freddie & The Dreamers
13 - The House of the Rising Sun - The Animals
14 - Don't Bring Me Down - The Animals
15 - Don't Let Me Be Misunderstood - The Animals
16 - We Gotta Get Out of This Place - The Animals


Barry Ryan - Singing the songs of Paul Ryan (1968-1969)




Barry RYAN  --  Singing the Songs of Paul Ryan / 1968-69 
 [Remastered 2-on-1 CD; Rev-Ola 2005]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Original albums:
1969 - Barry Ryan Sings Paul Ryan [MGM UK]
1969 - Barry Ryan [MGM UK]
~~~~~
Original a
  BARRY RYAN SINGS PAUL RYAN (1969) 
01. Theme To Eutopia  3.36
02. Why Do You Cry My Love  3.30
03. The Colour Of My Love  2.48
04. Crazy Days  2.29
05. Eloise  5.52
06. My Mama  3.51
07. I Will Bring You Love  2.34
08. Love Is On The Way  2.30
09. What's That Sleeping In My Bed  2.20
10. You Don't Know What You're Doing  3.35
11. Kristan Astra Bella  2.52
       BARRY RYAN (1969)
12. The Hunt  3.03
13. Sunday Theme  2.41
14. Swallow Fly Away  2.59
15. Sunrise In The Morning  3.03
16. Isn't That Wild?  3.27
17. Man Alive  2.28
18. Makin' Eyes  2.57
19. No Living Without Her Love  3.03
20. Sea Of Tranquility  3.22
21. I See You  2.52
22. Feeling Unwell  2.56
23. Where Have You Been?  3.044
       BONUS TRACKS (From German release of 'Barry Ryan')
24. Look To The Right, Look To The Left  2.28
25. Oh For The Love Of Me  3.00

------------------------------------------------------------------------------------------------------------------------

When Paul and Barry Ryan split as a performing duo in 1968 nobody expected to hear from them again. Their fine Britpop singles and overlooked semi-Freakbeat/Pop albums weren't selling; they were trapped on a cabaret circuit they loathed. The image of the handsome swinging, singing twin brothers was under severe strain.

So when Barry reappeared at the end of the year and scored a colossal worldwide hit (reaching number one in six countries!) with the epic, Paul-penned ‘Eloise’, it was akin to a particularly unlikely phoenix rising from the ashes. The single was a stunning five and a half minute tour de force of grandiose orchestral pop and Uber-Jim Webb-ism which sounded unlike anything else in the charts at the time, and is fondly remembered and covered worldwide still! The subsequent entirely Paul-penned album, imaginatively entitled "Barry Ryan Sings Paul Ryan", received rave reviews and has become something of a cult favourite amongst fans of contemporary orch-pop works by Scott Walker, Glen Campbell and even Tom Jones.

Other hits including ‘Love Is Love’ and ‘The Hunt’ followed into the '70s, as did five more solo albums, none of which have ever been reissued on CD... until now! "Barry Ryan: Singing The Songs Of Paul Ryan (1968-69)" couples that classic debut with its remarkable eponymous 1969 follow-up and adds two ultra-rare tracks found only on the German version of the second album; all remastered for your sonic delight!

Fantastically remastered for your especial pleasure, to best display the epic qualities of these superb songs!

Sumptuously repackaged with new artwork, including detailed notes, memorabilia, and heaps of rare photos; most not seen for years, many never before published!

Classic, superb orchestral semi-psych pop ala Jim Webb -delivered with the crazy assurance of a Scott Walker, Glen Campbell, Bergen White, Richard Harris or Tom Jones...a must for EVERYBODY! 
      
s:~ CD liners by Boudewijn DeKadt

This album  for your pleasure send 
by mandustrian
 Thanks very much.

Saturday, October 02, 2010

V.A. - This Is Merseybeat ( Oriole Records)



1. Various - Bill Harry - Intro (1:31)

2. Faron's Flamingos - Faron's Flamingos - Let's Stomp (1:57)

3. Rory Storm/the Hurricanes - Rory Storm & the Hurricanes - I Can Tell (2:49)

4. Sonny Webb/the Cascades - Who Shot Sam (2:12)

5. Ian/the Zodiacs - Ian & the Zodiacs - Beechwood 4-5789 (1:57)

6. Faron's Flamingos - Faron's Flamingos - Give Me Time (1:59)

7. Earl Preston/the T. T. - Earl Preston & the T. T's - Thumbin' a Ride (2:28)

8. Merseybeats, The - Merseybeats - Our Day Will Come (2:34)

9. Sonny Webb/the Hurricanes - Sonny Webb & the Cascades - You've Got Everything (2:47)

10. del Renas, The - Del Renas - Sigh, Cry, Almost Die (2:10)

11. Faron's Flamingos - Faron's Flamingos - So Fine (2:24)

12. Ian/the Zodiacs - Ian & the Zodiacs - It Ain't Necessarily So (2:34)

13. Rory Storm/the Hurricanes - Rory Storm & the Hurricanes - Beautiful Dreamer (2:43)

14. Nomads, The - Nomads - My Whole Life Through (2:59)

15. Sonny Webb/the Cascades - Sonny Webb & the Cascades - Border of the Blues (1:49)

16. Faron's Flamingos - Faron's Flamingos - Do You Love Me (3:17)

17. Earl Preston/the T. T. - Earl Preston & the T. T's - All Around the World (2:45)

18. Ian/the Zodiacs - Ian & the Zodiacs - Secret Love (2:30)

19. del Renas, The - Del Renas - Nashville Blues (2:30)

20. Derry Wilkie/the Pressmen - Derry Wilkie & the Pressmen - Hallelujah I Love Her So (2:32)

21. Ian/the Zodiacs - Ian & the Zodiacs - Let's Turkey Trot (2:19)

22. Faron's Flamingos - Faron's Flamingos - Talkin' 'Bout You (1:57)

23. Rory Storm/the Hurricanes - Rory Storm & the Hurricanes - Dr Feelgood (2:44)

24. Faron's Flamingos - Faron's Flamingos - See If She Cares (2:09)

25. 25 - Earl Preston & the T. T's - Hurt

26. 26 - Del Renas - When Will I Be Loved

27. 27 - Sonny Webb & the Cascades - Excuse Me

28. 28 - Ian & the Zodiacs - You Can Think Again

29. 29 - Faron's Flamingos - Shake Sherry Shake

V.A. - GS I Love You: Japanese Garage Bands of the '60s


Japan, like many non-English-speaking countries, was home to a thriving garage/beat band scene in the 1960s. The Japanese scene, at least to Western ears, was more peculiar than most: for one thing, it didn't really kick into gear until well into 1966, and Japanese groups were still playing in an early British Invasion-influenced style until the end of the decade.

Singing in both Japanese and heavily accented English, the guitars (as a result of the Ventures huge popularity there) were surf-ish Mosrites, and the material was often a strange fusion of Merseybeat, punk, and over-the-top weirdness. GS I Love You is a 28-track compilation of songs originally released on the Crown and Teichiku labels, and while it's no match for the British groups (or, for that matter, the best beat/punk groups from Holland and Sweden), it's truly like no other '60s rock you've heard. The guitar work is often frenzied and imaginative; the vocals walk the line between tough raunch and low comedy, particularly when they mangle English phonetics (the Swing West's version of Arthur Brown's "Fire," as well as the Out Cast's butchering of "Long Tall Sally" defy printed description). Sound quality and liner notes (in English) are excellent, and cuts like the Blue Jeans "One More Please" are genuinely good fusions of pop and punk, making this a good pickup for the more adventurous '60s collector.

1. Out Cast, The - You Gat a Call Me (2:44)

2. Out Cast, The - Everything's Alright (2:10)

3. Spiders, The - Dynamite (2:52)

4. Spiders, The - Monkey Dance (2:36)

5. Blue Jeans - One More Please (2:53)

6. Terrys, The - Stop Dance (2:26)

7. Playboy - Shevidevi de Yuko (2:16)

8. Playboy - Kaette Okure (2:17)

9. Swing West, The - Kokoro No Tokimeki (Ajoen Ajoen) (2:37)

10. Swing West, The - Fire (2:50)

11. Rangers - Let's Go Rangers (1:59)

12. Napoleon - Koi O Kesunda (2:44)

13. Cougars - Aphrodite (2:30)

14. Cougars - Suki Nanda (3:33)

15. Spiders, The - Wipe Out (2:34)

16. Spiders, The - Furi Furi (3:10)

17. Burns, The - I Saw Her Standing There (2:51)

18. Days/Nights, The - Bara O Anokoni (2:54)

19. Out Cast, The - Let's Go on the Beach (2:47)

20. Out Cast, The - Bokuno Sobakara (2:32)

21. Voltage - Hold On! I'm Comin' (2:58)

22. Cougars - J & A (2:55)

23. Spiders, The - Seishun a Go-Go (2:22)

24. Van-Dogs - Hey Girl (3:11)

25. 25 - Omiyasan - Toys, The

26. 26 - Long Tall Sally - Out Cast, The

27. 27 - Kimamana Shelly - Out Cast, The

28. 28 - Jane Jane - Miki Obata

The Byrds - Live - Over 20 Years Old (Stockholm 1967<>Boston T.P.1969)


The Byrds:Stockholm 1967-Boston T.P. 1969, VERY RARE!
The Byrds aren't guaranteed to get under anybody's skin upon first listen. Okay, nobody's guaranteed, but with the Byrds, it just might take a little extra time to bridge the gap between their immense critical reputation and one's personal impression of them. When I first subjected myself to a general overview of the band via a best-of collection, I know I wasn't much impressed. The sound was pleasant enough, but it all seemed to stick together and it was a real chore to remember the melodies. But the Byrds are subtle. If anything, they were the first pop band to demonstrate that pop music can survive without hooks - at least, without obvious ones - by thriving directly on values like emotion...--->http://starling.rinet.ru/music/byrds.htm

1. 01 - Hey Joe (2:08)

2. 02 - My Back Pages (2:58)

3. 03 - Mr. Tambourine Man (2:15)

4. 04 - He Was a Friend of Mine (2:34)

5. 05 - So You Want to Be a Rock`n`roll Star (2:28)

6. 06 - Roll Over Beethoven (2:09)

7. 07 - You Ain`t Goin`nowhere (3:15)

8. 08 - Old Blue (3:34)

9. 09 - Goin` Back (3:46)

10. 10 - Get Out of My Life Woman (3:19)

11. 11 - Ballad of Easy Rider (2:39)

12. 12 - Jesus Is Just Alright (3:46)

13. 13 - Tulsa County Blues (3:31)

14. 14 - Mr. Spaceman (3:06)

15. 15 - Lay Lady Lay (3:24)

16. 16 - My Back Pages (5:50)

17. 17 - It`s All Over Now, Baby Blue (4:14)

18. 18 - Turn, Turn. Turn (1:55)

19. 19 - Mr. Tambourine Man (2:09)

20. 20 - Eight Miles High (4:51)

The Unfolding - How to Blow Your Mind and Have a Freakout Party (1967)


Not bad at all. Not exactly brilliant either, but this recorded free-form "freak-out" from 1967 (originally released on New York City's Audio Fidelity label) is not only not terrible, but surprisingly pretty OK for stretches, especially considering the typical quality of these types of had-to-be-there period curios that purport to blow your mind with an aural approximation of an acid trip.

This one actually manages to be something approaching far out, man, even at its most half-baked. Whether How to Blow Your Mind and Have a Freakout Party was, in fact, created as a "head" LP by practicing heads (a certain David Dalton is listed as the Unfolding's presiding mastermind -- no word in the liner notes if this is the same Dalton who was a pioneering rock scribe and founding editor of Rolling Stone), or as an exploitation of same by a faceless assemblage of session musicians is really anyone's guess. But either way, the album is decidedly not an unlistenable mess. That in itself qualifies as a kind of limited recommendation. Oh, this psychedelic party is more than a bit hit-and-miss, to be sure. For instance, opener "I've Got a Zebra -- She Can Fly" (dig that title) is five minutes of druggy guitar jamming with requisite (and not entirely uninteresting) panning effects and pitch fluctuations before the music simply cuts out mid-sentence as if a shiny bauble (or perhaps a pan of hash brownies) had just been waved in front of the Unfolding's glazed eyes. And the whole of the second "Meditations" side of the album is a melange of pseudo-philosophical babble, patchwork Eastern religious profundities (a good excuse for lots of sitars, flutes, and finger-chimes), New Age chanting, Pied Piper-type fairy tales, and bad poetry, all played straight, so to speak, and narrated in a steady baritone that is equal parts God and Vincent Price. Nary a melody within earshot, though. If that sounds like either a snore or a chore, maybe it will be for some listeners. But there is also a heart-on-sleeve earnestness to the undertaking, and the first-side sequence of "Play Your Game," "Girl from Nowhere," and "Love's Supreme Deal" cuts a suite of, yes, catchy pop-psych tunes through the chatter. It's hard to imagine that the original LP had (and, four decades removed from its original context, even harder to imagine the Gear Fab CD reissue will have) wide appeal, as these sorts of altered state-specific experiments require certain enhancements that cast particular spells for full appreciation, and approaching the music without them is like trying to watch a 3-D movie without the plastic glasses. But then it's always something of a trip to open a time capsule no matter what ends up being inside.

1. The Unfolding - I've Got A Zebra - She Can Fly (5:17)

2. The Unfolding - Play Your Game (2:52)

3. The Unfolding - Girl From Nowhere (3:09)

4. The Unfolding - Flora's Holiday (1:44)

5. The Unfolding - Love Supreme Deal Meditations (4:55)

6. The Unfolding - Prana (5:26)

7. The Unfolding - Electric Buddha (4:21)

8. The Unfolding - Hare Krishna (3:30)

9. The Unfolding - Parable (4:50)

Emitt Rhodes - American Dream (1971)


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Hawthorne, CA, native Emitt Rhodes made his first mark in the music world in 1967 as the leader of the baroque pop band the Merry-Go-Round. The band achieved some marginal success with the Rhodes-penned "Live" and "You're a Very Lovely Woman," recording one album of Magical Mystery Tour-inspired pop. When the band broke up in 1969, Rhodes set up a home studio in his parents' garage and began his solo career, engineering and playing all instruments himself. The strength of his initial demos, now showing a strong Paul McCartney influence, helped him get signed to ABC/Dunhill. His critically acclaimed, self-titled debut managed to break into the Top 40 in 1971, but pressure from his record company forced him to rush-release a follow-up, Mirror, the same year. Mirror was predictably a lesser effort, barely charting. By the time of the third album, 1973's Farewell to Paradise, Rhodes was running into legal problems with ABC, since he was unable to fulfill his contract, which demanded he deliver a new album every six months. Disillusioned, he retired from the performing side of the business, working instead as an engineer and studio operator for Elektra/Asylum. Though he never released an album since Farewell to Paradise, he continued to write and demo new songs.

Emitt Rhodes -  American Dream (1971)

Although this album may have been a contractual obligation, there is no doubt that Emitt Rhodes did not take the task of recording American Dream lightly. After disbanding his first group, the Merry-Go-Round, Rhodes still owed A&M Records another album. Several new sessions were held, and along with a few old tracks such as the remarkable "You're a Very Lovely Woman," they make up the body of this fine, if fragmented album. "Mother Earth" is without a doubt one of Rhodes' McCartney-influenced masterpieces, led by a strident 12-string acoustic guitar and a masterful lead vocal. For the first (and possibly only) time in his career, Rhodes utilized session musicians, but he used the very best. Awesome playing from Hal Blaine, Larry Knechtel, Drake Levin, Joel Larson, and others lift this track and others to a level of greatness. This album may be seen as a sort of a warm-up for Rhodes' brilliant, self-recorded Dunhill albums.


1. Emitt Rhodes - Mother Earth (2:29)
2. Emitt Rhodes - Pardon Me (2:46)
3. Emitt Rhodes - Textile Factory (3:05)
4. Emitt Rhodes - Someone Died (2:03)
5. Emitt Rhodes - Come Ride, Come Ride (2:53)
6. Emitt Rhodes - Let's All Sing (2:40)
7. Emitt Rhodes - Holly Park (2:59)
8. Emitt Rhodes - You're A Very Lovely Woman (2:52)
9. Emitt Rhodes - Mary Will You Take My Hand (2:21)
10. Emitt Rhodes - The Man He Was (2:59)
11. Emitt Rhodes - In Days Of Old (2:13)
12. Emitt Rhodes - Til' The Day After (2:39)

The American Dream is released in 1971 and is considered his third album. It is, in fact, his first. All recordings were made in 1967-1968. He recorded some of them with his previous band the Merry Go Round and some solo. Park.
In 1971 Billboard magazine called him "one of the finest artists on the music scene today" (4/3/71) and later referred to his debut as one of the "best albums of the decade" (11/23/96). Although his brief flirtation with stardom quickly evaporated his music is still considered "essential listening" by '70s rock aficionados and pop fans, particularly his critically acclaimed self-titled magnum opus, which climbed to the top of the charts in the US, and American Dream. Often called "Paul McCartney's musical twin," his influence can definitely be felt here, particularly on songs like "Mother Earth" and "Holly Park." But Emitt was no McCartney copy cat, he was simply a musical genius of the same caliber, exploring pop music in the same direction. Unlike his self-titled debut, which features Rhodes playing and recording every instrument, this features session musicians and a few old tracks from his previous band Merry Go Round, like the fine "You're A Lovely Woman.

The Merry-Go-Round - The Merry-Go-Round You're a Very Lovely Woman - Live (1967)


The Merry-Go-Round were formed in Los Angeles during the summer of 1966 when Palace Guard drummer Emitt Rhodes left that band and began rehearsing in the Rhodes family garage with his high-school buddy Gary Kato. After a couple weeks with friends Mike Rice and Doug Harwood on bass and drums, respectively, the duo hooked up with a couple of L.A. movers: bassist Bill Rinehart had played in the Leaves and drummer Joel Larson with the Grass Roots, and both had been in the short-lived Gene Clark Group in 1966 and later played on Clark's classic 1967 album, Gene Clark with the Gosdin Brothers. Rhodes, Kato, Rinehart, and Larson recorded demos that attracted label attention and led to a deal with A&M. "Live" was released as a single in early 1967 and quickly became a huge hit in L.A., and eventually reached number 63 in the Billboard singles chart. The B-side, "Time Will Show the Wiser," became somewhat well known too, as Fairport Convention cut a version on their 1968 debut album.




The band:

Emmit Rhodes (Lead Vocals)
Gary Kato (Guitar)
Bill Rinehart (Bass)
Joel Larson (Drums)
 
Their next single, the highly arranged and orchestrated "You're a Very Lovely Woman," didn't fare as well on the charts, hitting only number 90 in late 1967. A&M perhaps sensed that the window of opportunity was closing for the group and hastily released The Merry-Go-Round in November of 1967. The album, excellent though it is, consists of the singles, their flip sides, and assorted demos. The record stalled out at number 190 and Rinehart left the band soon after. He was replaced by Rick Dey, who had been with San Francisco band the Vejtables and also the Wilde Knights (the group that cut the original "Just Like Me," which Dey wrote and Paul Revere & the Raiders later had a big hit with). The Merry-Go-Round released two singles in 1968, "Listen, Listen"/"Missing You" and "Highway"/"'Til the Day After," but neither hit and they soon found that fewer fans were drawn to their shows and offers to play were drying up. After plans to release a second album dissipated, Rhodes disbanded the Merry-Go-Round in 1969 and began working on solo material.

His first album, The American Dream, contained solo tracks cut with session musicians as well as a few studio-sweetened Merry-Go-Round demos. Rhodes went on to release a handful of critically acclaimed solo albums, most notably the amazing Emitt Rhodes album from 1970. Gary Kato later formed Bullet and became a member of the group Derek, which had a hit with the bubblegum classic "Cinnamon." Rick Dey went on to do session work (including a stint working for the Monkees), recorded an album in the early '70s with his brother Tony and Barry Melton (of Country Joe & the Fish fame), and passed away in 1973. In 2005 reissue label Rev-Ola released Listen, Listen: The Definitive Collection, which rounded up all the group's recordings and paired them with Rhodes'  The American Dream




Merry Go Round: You're a Very Lovely Woman / Live

The Merry-Go-Round's self-titled 1967 album is a breathtaking blend of chiming folk-rock guitars, British Invasion harmony vocals, baroque pop arrangements, and pure pop songcraft that sounds daisy fresh in 2005. The Beatles are a huge influence, and there is plenty of McCartney in Emitt Rhodes' sweet vocals and their vocal harmonies. You can hear the Byrds a bit, some Left Banke (especially on the sweeping orchestral pop gem "You're a Very Lovely Woman"), some L.A. garage on rockers like "Where Have You Been All My Life" and "Lowdown"; the group definitely didn't exist in a vacuum. But there are some songs that are quite unique and original like "Time Will Show the Wiser" with its otherworldly sped up and backward guitars and enchanting melody, the bouncy and warm hit single "Live," and "Had to Run Around," an exquisite ballad whose tender beauty foreshadows Rhodes' classic 1970 Emitt Rhodes album. These songs, and the overall quality of the songs and the group's loose and earthy playing, help lift the album above the pack and should lead to it being mentioned in the same breath as Love's first album or Buffalo Springfield's first when talking about classic American debut albums of the '60s.

1. The Merry-Go-Round - Live (2:36) 
2. The Merry-Go-Round - Time Will Show the Wiser (2:30)
3. The Merry-Go-Round - On Your Way Out (2:34)
4. The Merry-Go-Round - Gonna Fight the War (2:04)
5. The Merry-Go-Round - Had to Run Around (3:42)
6. The Merry-Go-Round - We're in Love (2:30)
7. The Merry-Go-Round - You're a Very Lovely Woman (2:54)
8. The Merry-Go-Round - Where Have You Been All of My Life (2:19)
9. The Merry-Go-Round - Early in the Morning (2:07)
10. The Merry-Go-Round - Low Down (3:00)
11. The Merry-Go-Round - Clown's No Good (2:24)
12. The Merry-Go-Round - Gonna Leave You Alone (2:21)


Album Description (amazon.com)

Among folk-rock devotees and power-pop cultists, Emitt Rhodes is a legendary figure with a powerful mystique. The prodigiously talented singer/songwriter/multi-instrumentalist first came to prominence as the teenaged leader of The Merry-Go-Round, a unique L.A. baroque folk-rock quartet whose lone 1967 album is now regarded as being in the same class as the debut discs of such '60s contemporaries as the Byrds, Love, the Left Banke and the Buffalo Springfield.
The Merry-Go-Round--which also included guitarist Gary Kato, ex-Leaves bassist Bill Rinehart and former Grass Roots drummer Joel Larson--scored an early hit with the infectiously jangly "Live." The song (which would be covered in the '80s by the Bangles) became a major regional hit in the Los Angeles area. "Live"'s equally distinctive B-side, "Time Will Show the Wiser," was covered the following year by Fairport Convention. The band's second single, the bittersweet, orchestrated "You're a Very Lovely Woman," was an equally impressive achievement.

Those three songs are all featured on You're a Very Lovely Woman, which offers a consistently intoxicating mix of Beatlesque vocal harmonies, ringing folk-rock guitars, sparkling songcraft and playful baroque and psychedelic touches.

Although The Merry-Go-Round would disband two years after releasing their only LP, the album has gained steadily in notoriety and prestige over the years. Original copies of the album have become rare collector's items, regularly changing hands for exorbitant prices among fans. Now, You're a Very Lovely Woman is once again available on vinyl to thrill longtime admirers and new fans alike. Mastered from the original analog tapes and pressed on high-quality high-definition vinyl, the album includes complete, meticulously reproduced original cover art.

 


Note: Gene Clark is rumored (primarily by Johnny Rogan) to have participated in some recordings by the Merry Go Round. It is not clear which, if any of the recordings feature Clark. In the liner notes to the Merry Go Round compilation, the two primary members of the band credit Joel Larson with providing a third harmony part, and there is no mention of Clark ever participating with them. The band did, however, feature two former members of the Gene Clark Group: Larson and Bill Rinehart.

Friday, October 01, 2010

The Pretty Things - The Very Best Of


This German collection from the Repertoire label collects 26 tracks from the chronically underrated British Invasion group the Pretty Things. The Very Best of the Pretty Things is nearly identical to Shout Factory's excellent 2004 overview, Come See Me: The Very Best of the Pretty Things, though it lacks a few early cuts like "Roadrunner," "You Don't Believe Me" and "Judgement Day." That said, you can hardly go wrong with classic cuts like "Roslyn," "Don't Bring Me Down," "Come See Me," "Defecting Grey," and "Talkin' About the Good Times," all of which help to bolster popular opinion that the Pretty Things could easily beat up your favorite band, as well as your dad ~ James Christopher Monger (allmusic).

1. The Pretty Things - Rosalyn (2:21)

2. The Pretty Things - Don't Bring Me Down (2:10)

3. The Pretty Things - Honey, I Need (1:59)

4. The Pretty Things - I Can Never Say (2:36)

5. The Pretty Things - Cry To Me (2:51)

6. The Pretty Things - Sittin' All Alone (2:47)

7. The Pretty Things - Midnight To Six Man (2:19)

8. The Pretty Things - Come See Me (2:40)

9. The Pretty Things - Ј.S.D. (2:25)

10. The Pretty Things - A House In The Country (2:59)

11. The Pretty Things - Me Needing You (1:58)

12. The Pretty Things - Progress (2:40)

13. The Pretty Things - Children (3:03)

14. The Pretty Things - Death Of A Socialite (2:42)

15. The Pretty Things - Photographer (2:07)

16. The Pretty Things - Defecting Grey (4:29)

17. The Pretty Things - Mr. Evasion (3:29)

18. The Pretty Things - Talkin' About The Good Times (3:43)

19. The Pretty Things - Walking Through My Dreams (3:37)

20. The Pretty Things - Private Sorrow (3:53)

21. The Pretty Things - The Good Mr. Square (3:02)

22. The Pretty Things - October 26 (4:54)

23. The Pretty Things - Cold Stone (3:10)

24. The Pretty Things - Stone-Hearted Mama (3:27)

25. 25. The Pretty Things - Havana Bound

26. 26. The Pretty Things - Tonight